The fashion is an expression of us ourselves, of our meaning of life, of our personality, of our culture and of our history
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FASHION AND WOMAN: A PERFECT AGREEMENT
For:
Mª
José F.
Serra
Why has the fashion always had a feminine point of view although most of the numbers one of the international fashion continue being men? A personage so experienced on these questions like John Fairchild, the publishing director of “Women's Wear
Daily
", was answering this question saying that everything creative one needs a muse, a woman by whom being inspired. Because the common sense, the
"feeling"
of what she demands in every moment is basic for the success of one models or of a collection.
It is easy to verify that the woman has done always very good crumbs with the fashion, because she has a major capacity for the concrete thing, for the immediate present. Nevertheless the binomial fashion - woman has been overcome in other epochs by the binomial fashion - man. The fashion, in the beginning of his history, was used by the men for
destac
to see more
October, 2007
LANGUAGE AND PERSONAL STYLE
The habit does not do the monk but the language yes because it denotes immediately the personal style and the level of refinement of the person. Unfortunately a bad understood sense of the freedom is identifying the feminine emancipation with the uninhibited tone, with the aggressive behavior and with speaking torn open.
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September, 2007
THE MODERNITY OF THE 60
Until point the fashion can fulfill the proper functions of the tradition, in particular, the function to indicate a north that should allow to preserve the proper identity? Does it imply the step to a modern society, with his apparent replacement of the tradition for the fashion, the irrevocable loss of the identity, as if of the identity it was depending essentially on the tradition?
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July /
ago
2007
ELEGANCE AND CRITICAL SENSE
To continue the fashion today and to be elegant is necessary a big critical sense: the patterns with big flowers, the smooth ones of violent tones, the textiles of network, the laces and the transparences, the bras imitation
guêpière
, the intimate pledges that turn into garments, the embroidered shoes, the jeans with crystal incrustations, the bellybuttons to the air, etc., are elements “of risk”.
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Previous articles
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SLEEP
June, 2007
>
FASHION AND PUBLICITY OPPOSITE TO FRONT
April, 2007
>
ASMODA
IS ONE YEAR
in March, 2007
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From
Asmoda we
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The meetings have an approximate duration of 45 minutes and they are directed for the young people of schools, juvenile clubs, etc...
They are given in the proper places of the centers and/or associations that request it.
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Conferences:
The fashion and the mass media
The fashion: a cultural phenomenon
The stamp of the big designers
Does the fashion propose and has...?
The Spanish fashion inside and on the outside
Balenciaga
: an immortal myth
Chanel
and the new woman
The fashion as social phenomenon and like personal expression
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