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FASHION AND WOMAN: A PERFECT AGREEMENT
For: Mª José F. Serra
Why has the fashion always had a feminine point of view although most of the numbers one of the international fashion continue being men? A personage so experienced on these questions like John Fairchild, the publishing director of “Women's Wear Daily", was answering this question saying that everything creative one needs a muse, a woman by whom being inspired. Because the common sense, the "feeling" of what she demands in every moment is basic for the success of one models or of a collection.
It is easy to verify that the woman has done always very good crumbs with the fashion, because she has a major capacity for the concrete thing, for the immediate present. Nevertheless the binomial fashion - woman has been overcome in other epochs by the binomial fashion - man. The fashion, in the beginning of his history, was used by the men for destac
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October, 2007
LANGUAGE AND PERSONAL STYLE
The habit does not do the monk but the language yes because it denotes immediately the personal style and the level of refinement of the person. Unfortunately a bad understood sense of the freedom is identifying the feminine emancipation with the uninhibited tone, with the aggressive behavior and with speaking torn open.
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September, 2007
THE MODERNITY OF THE 60
Until point the fashion can fulfill the proper functions of the tradition, in particular, the function to indicate a north that should allow to preserve the proper identity? Does it imply the step to a modern society, with his apparent replacement of the tradition for the fashion, the irrevocable loss of the identity, as if of the identity it was depending essentially on the tradition?
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July / ago 2007
ELEGANCE AND CRITICAL SENSE
To continue the fashion today and to be elegant is necessary a big critical sense: the patterns with big flowers, the smooth ones of violent tones, the textiles of network, the laces and the transparences, the bras imitation guêpière, the intimate pledges that turn into garments, the embroidered shoes, the jeans with crystal incrustations, the bellybuttons to the air, etc., are elements “of risk”.
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Previous articles
> SLEEP June, 2007
> FASHION AND PUBLICITY OPPOSITE TO FRONT  April, 2007
> ASMODA IS ONE YEAR in March, 2007
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