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Ágatha Ruiz de la Prada
Ágatha Ruiz de la Prada
Ágatha Ruiz de la Prada
Ágatha Ruiz de la Prada
For this summer Ágatha Ruiz of the Prada re-lives through his everlasting victories prepared with something more about futurism. It is possible to be or not a fan of this designer but with what the whole world coincides the fact is that his fashion is personalísima and transmits an uncontrollable happiness of living. For the summer 2008 Agatha has resorted to his excesses of coloring and to his unmistakable icons with a few only resources that do that his collections monopolize wider and wider victories on a global scale.
The volumes miscellanies are one of the strong points of his collection. The designer has adopted a futurist line in tuning with the fashion of Paco Rabanne and of the movie Barbarella. Very well similar galactic influences and technological materials with the whole sheen of the gold and the silver give a new originality air to his fashion for the summer 2008.

In spite of his futurist whims Agatha has not resigned from his signs of identity that he handles every time of different form but that support his unmistakable stamp. Adorn them, the stars and the hearts are reproduced in different forms and sizes, like part of a pattern or in the shape of plastic applications in the waist or in the revers,

His suits continue the trapezoidal line of the 60s alternating with loose blouses on pants very narrow pirates. The accessories continue the line of the collection: silver bracelets, big bags plasticized to game with the pattern of the suit and boots of transparent plastic finished off with lacquer. Quite with living colors that are mixed audaciously between if and that are one of the favorite twirls of this designer who believes that the color influences as we confront the day and that the living tones are capable of transmitting a vital optimism.

The models of Agatha Ruiz de la Prada have triumphed in places with an intense fashionable tradition as there are Paris and Milan but his expansion capacity goes much further, and now it is pointing also strongly towards the Latin-American market. Recently it has inaugurated in Medellin (Colombia) his retrospective exhibition in the Museum Antígona (Museum Boatman) that will remain opened till the end of August.

Is it possible to keep on correcting his eccentric's fashion or we have to admit that it has reached a radically commercial draft? The same Agatha gives us the answer “Earlier they were correcting me of eccentric he says, now they are correcting me of classic. Perhaps the most suitable thing would be to say that I am a classic eccentric.”
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