SPRING IN PARIS
For: Gabriela Fockt
Yves Saint Laurent
The international calendar has touched to his end. The Weeks of the Fashion have bet for the tendencies spring - summer 2010. New York was taken down by 70 parades, Milan with 84 and Paris with 94. Paris was once again “the golden brooch” of the fashion and his collections were located in places as emblematic as the School of Fine arts, him Palais Chaillot or they Jardins des Tuilleries. Tendencies for all the tastes: barroquismo, pop-art, bucolic details, oriental influence. A fashion in which there is of everything and for all.
A RURAL STYLE
Karl Lagerfeld, the incombustible designer of Chanel, took his inspiration towards rural motives, and to the ambiences frequented by Maria Antonieta in his pavilion of the Palace of Versailles. On a decoration simulating a farm with flowers, plants and Chinese lanterns it presented a boasting of toasted colors, laces and short skirts helped up with criolinas. Another designer, Chloé, allowed to be contagious for the naturistic air presenting long and undulating skirts in khaki and mineral tones.
Also there informed of the naturalistic passion Stefano Pilati, the current maker of the signature Saint Laurent with cotton suits target, abullonados and "rural" blouses that 70 remembered Saint Laurent of inlcuso with the detail of the embroidered strawberries. Stella MacCartney signed up discreetly to this tendency with denim skirts and white blouses
BARROQUISMO À LA CARTE
Although several topics of John Galliano were coinciding with those that it presented for Dior with his inspiration in the prima donnas of the mute movies and who took the "trench" as a big protagonist, in his own collection one inclined for the lace models, chaquetillas of chiffon, flying flowers of plastic, baroque miscellanies, quite with a spectacular staging with balloons and a red laser that was covering the footbridge.
Valentino's managers threw themselves also for the barroquismo, with domain of flown organzas and dressed petal and Victor and Rolf bet for the volumes in the garments with skirts with meters and meters of tulle that remembered the suits of putting length of the 50s. Drapeados, frills and soft tones with some neon twinkles
MINIMALSMO AND POP ART
For that they are already saturated of frills and laces and want other airs for the next spring, they can come to the black and white geometric drawings of Givenchy of inspiration pop-art and with twinkles of Arab graphic symbol. A lesson of geometry and psychedelic patterns that turn us to the esthetics of the 60s.
Inside the tendency pop-art it is possible to place the Japanese designer Junya Watanabe centred on the miscellany of white person and black with pictures profusion lady and crow's foot in garments of wide forms and abullonadas.
Lagerfeld, for its own signature, comes also to the contrast of the white person and the black with garments of futurist air.
THE INDESTRUCTIBLE ONES
The entire black keeps on prolonging in the spring and even in the summer his winter victory. Lanvin re-edits it in his “petites steal noirs” completely timeless, only with the current detail of the frills in the neckline and some asymmetries. Loewe shows his virtuosity in the agreement of the skin and his adaptation to the summer with extrathin extras and very worn out leather in an urban-elegance of very good tone. Also it came to the classicism and flexibility of the extra, Balenciaga with exact suits, leggins and booties with the highest heels.
Another signature with wide trajectory and crossbeam, Balmain, inclined for the narrow pants, the brilliant cloths the latex, the pailletes and the golden lamé. A demonstration of wealth that was contrasting with the "wretched" tone of some models of the collection that not only they were presenting broken and holes in the pants, but also in the blouses and the tops and in low of a few skirts fatally cut away. Anyway that existed of everything how in the vineyard of the Gentleman …