WHAT WILL WE TAKE THIS SPRING?
For: Mª José F. Serra
Oscar de la Renta
Oscar de la Renta
With his anticipation load the spring fashion has jumped in his moment in the footbridges of Paris, New York, Milan, Madrid, Barcelona … But between this labyrinth of informations and styles there have blown up the those "key" tendencies that have drawn with more force into the fragile and changeable heart of the fashion. There triumphs a hyperfeminine style, a romanticism that is translated in flowers, frills and sheens, the accessories grow in size and in importance and the shoes with platform and the highest heels help us to face the life "height of sights".
S.M. THE GARMENT
All the designers grant the only leading role to him. Some of them are fluid and delicate and they do very good crumbs with the frills. The asymmetries are his best trick. Skirts with flight and some architectural touches with shoulders lightly more pronounced and the waist indicated with sashes or wide belts. The shirtmaker continues in the breach. For the night the garments are adorned by fringe or bonds
FLOWERS WITHOUT CONTROL
Patterns of flowers of all the colors and sizes. In tones roses, red, yellow, blue, cake that is mixed between if. They dominate those of big size superdimensionadas but others reproduce the small wild, and aromatic flowers. The influence hippie introduces them in the long garments with denim vests. Not only in the patterns, the flowers appear also in embroideries in relief on some holiday suits and at night.
PASTRIES AND “VITAMÍNICOS“
The coloring for this spring praises for the colors cake: beige, "nude" makeup, lilac, gray pearl, but he has treading also loudly on another tendency of intense tones or "vitamínicos": red, yellow, green. The rose reaches the whole scale from the fuchsia to the pink stick. The blue is intense and very marine and orange, which always does very good crumbs with the summer, remains. Only the night it is dressed in black.
The white person and the black continue with his indestructible union. This period adds a success trio to them: white, blue and red, the nautical look to which an entire success is predicted. Free route to the ephemeral miscellanies if of the living colors that it is necessary to handle tastefully. If one wants to play safe it is better to mix the "vitamínicos" with the gray skylights.
The fluid silhouette of the garments they put in the first plane the volatile and light textiles: muslin, silk, gauze and tulles that seem started of a picture of classic ballet. Sateen and cotton and a revision to the futurism with the new technological textiles. In addition to the flowers there are other patterns of sure success: those that are inspired in the abstract and cubist painting and the spots of all the sizes.
SKIRT OR PANTS?
The skirts win for heavy defeat. The most looked length is the one that rubs the knee but they are of all the sizes. Skirts with many I fly, with frills, maxifaldas, more you chatter behind. Skirts pipe. The pants are in general of high waist, with wide and flared leg and sometimes with tweezers. The cigaret they are in recession but they continue like complement of a key pledge of the period: the masculine blazer in his dimension oversize. Entire victory of the finished monkeys and the pants with bib.
The peep-toes are the kings of the urban style. It continues the comfortable touch of the flat shoes, now with metallic adornments. The sandals, with his inevitable platforms they present before themselves in thousand forms: of before, in skin of viper, style cage, but the most modern are the sandals - Romans.
The purses bandolier reappear although those of short handle keep on dominating still the panorama. Hand portfolios of small size. Round sunglasses and with adornments in the sideburn. Ethnic bracelets of big size. Very big geometric necklaces. Long earrings.